February 1st marks the start of Black History Month, an annual celebration and observance of the struggles, contributions, and achievements of Black people throughout the course of US history. Although the official event ends on March 1st, it’s important to acknowledge this important history year-round.
“There is no American history without African American history,” said Sara Clarke Kaplan, executive director of the Antiracist Research & Policy Center at American University in Washington, D.C. “The Black experience, she said, is embedded in “everything we think of as ‘American history.”
NPR.org
We on the Ladies of Horror Fiction team believe in reading, supporting, and boosting Black voices ALL YEAR LONG, with a specific focus on women & non-binary femmes in the horror genre due to our personal mission here. As we celebrate and remember this month, please also remember to keep the support and amplifying going throughout the entire year!
Today we wanted to do a small round up of books written by Black women that we’ve either read or suggested as a part of our monthly or themed readalongs. Below, we’re highlighting some of our personal favorites for you to add to your TBRs, wishlists, and bookish shopping carts!
Past Monthly #LOHFReadalong Books
We love reading with the #LOHF-loving community, so we try to do a monthly themed readalong so that we can share our love of these books with other people via discussions & social media posts. We originally posted polls to Goodreads & our blog for these monthly reads, allowing popular vote to choose each month’s book. Eventually, we swapped to a more streamlined choice process by the team, and also moved the majority of our discussions over to Discord!
Some of the books we’ve read together or included on our suggestion polls:
Synopsis: A haunting novel about a black woman who returns to her hometown for a plantation wedding and the horror that ensues as she reconnects with the blood-soaked history of the land and the best friends she left behind.
More than a decade ago, Mira fled her small, segregated hometown in the south to forget. With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder.
But now Mira is back in Kipsen to attend Celine’s wedding at the plantation, which has been transformed into a lush vacation resort. Mira hopes to reconnect with her friends, and especially, Jesse, to finally tell him the truth about her feelings and the events of that devastating long-ago day.
But for all its fancy renovations, the Woodsman remains a monument to its oppressive racist history. The bar serves antebellum drinks, entertainments include horrifying reenactments, and the service staff is nearly all black. Yet the darkest elements of the plantation’s past have been carefully erased—rumors that slaves were tortured mercilessly and that ghosts roam the lands, seeking vengeance on the descendants of those who tormented them, which includes most of the wedding guests.
As the weekend unfolds, Mira, Jesse, and Celine are forced to acknowledge their history together, and to save themselves from what is to come.
Check out Tracy’s review here!
Check out Audra’s review here!
Synopsis: A young woman living in a rigid, puritanical society discovers dark powers within herself in this stunning, feminist fantasy debut.
In the lands of Bethel, where the Prophet’s word is law, Immanuelle Moore’s very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.
But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood.
Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.
Bonus: Read our Q&A with the author here!
Synopsis: A startling debut about class and race, Lakewood evokes a terrifying world of medical experimentation—part The Handmaid’s Tale, part The Immortal Life of Henrietta Lacks.
When Lena Johnson’s beloved grandmother dies, and the full extent of the family debt is revealed, the black millennial drops out of college to support her family and takes a job in the mysterious and remote town of Lakewood, Michigan.
On paper, her new job is too good to be true. High paying. No out of pocket medical expenses. A free place to live. All Lena has to do is participate in a secret program—and lie to her friends and family about the research being done in Lakewood. An eye drop that makes brown eyes blue, a medication that could be a cure for dementia, golden pills promised to make all bad thoughts go away.
The discoveries made in Lakewood, Lena is told, will change the world—but the consequences for the subjects involved could be devastating. As the truths of the program reveal themselves, Lena learns how much she’s willing to sacrifice for the sake of her family.
Provocative and thrilling, Lakewood is a breathtaking novel that takes an unflinching look at the moral dilemmas many working-class families face, and the horror that has been forced on black bodies in the name of science.
Synopsis: A story about a dangerously curious young undergraduate whose rebelliousness leads her to discover a shocking secret involving an exclusive circle of students . . . and the dark truth beneath her school’s promise of prestige.
You are in the house and the house is in the woods.
You are in the house and the house is in you . . .
Catherine House is a school of higher learning like no other. Hidden deep in the woods of rural Pennsylvania, this crucible of reformist liberal arts study with its experimental curriculum, wildly selective admissions policy, and formidable endowment, has produced some of the world’s best minds: prize-winning authors, artists, inventors, Supreme Court justices, presidents. For those lucky few selected, tuition, room, and board are free. But acceptance comes with a price. Students are required to give the House three years—summers included—completely removed from the outside world. Family, friends, television, music, even their clothing must be left behind. In return, the school promises its graduates a future of sublime power and prestige, and that they can become anything or anyone they desire.
Among this year’s incoming class is Ines, who expects to trade blurry nights of parties, pills, cruel friends, and dangerous men for rigorous intellectual discipline—only to discover an environment of sanctioned revelry. The school’s enigmatic director, Viktória, encourages the students to explore, to expand their minds, to find themselves and their place within the formidable black iron gates of Catherine.
For Ines, Catherine is the closest thing to a home she’s ever had, and her serious, timid roommate, Baby, soon becomes an unlikely friend. Yet the House’s strange protocols make this refuge, with its worn velvet and weathered leather, feel increasingly like a gilded prison. And when Baby’s obsessive desire for acceptance ends in tragedy, Ines begins to suspect that the school—in all its shabby splendor, hallowed history, advanced theories, and controlled decadence—might be hiding a dangerous agenda that is connected to a secretive, tightly knit group of students selected to study its most promising and mysterious curriculum.
Synopsis: When Hilton was just a boy, his aged grandmother saved him from drowning by pulling him out of a treacherous ocean current, sacrificing her life for his. Now, thirty years later, Hilton begins to think his borrowed time is running out. His wife, the only elected African–American judge in Dade County, Florida, has begun receiving racist hate mail from a man she once prosecuted, and Hilton’s sleep is plagued by nightmares more horrible than any he has ever experienced.
As he battles both the psychotic stalking of his family and the unseen enemy that haunts his sleep, Hilton’s sense of reality is slipping away.
Past WiHM #LOHFReadathon Books
In addition to our monthly readalongs, each year we try to host (or co-host) a readathon to encourage people to dedicate a whole month to women writing horror; Women in Horror Month previously took place in February, but starting in 2022, we’ve chosen to celebrate this in March to give Black authors more of an opportunity to be highlighted.
Some of the books we’ve suggested for the readathon:
Hide and Seeker by Daka Hermon
Synopsis: One of our most iconic childhood games receives a creepy twist as it becomes the gateway to a nightmare world.
I went up the hill, the hill was muddy, stomped my toe and made it bloody, should I wash it?
Justin knows that something is wrong with his best friend. Zee went missing for a year. And when he came back, he was . . . different. Nobody knows what happened to him. At Zee’s welcome home party, Justin and the neighborhood crew play Hide and Seek. But it goes wrong. Very wrong.
One by one, everyone who plays the game disappears, pulled into a world of nightmares come to life. Justin and his friends realize this horrible place is where Zee had been trapped. All they can do now is hide from the Seeker.
Cirque Berserk by Jessica Guess
Synopsis: The summer of 1989 brought terror to the town of Shadows Creek, Florida in the form of a massacre at the local carnival, Cirque Berserk. One fateful night, a group of teens killed a dozen people then disappeared into thin air. No one knows why they did it, where they went, or even how many of them there were, but legend has it they still roam the abandoned carnival, looking for blood to spill.
Thirty years later, best friends, Sam and Rochelle, are in the midst of a boring senior trip when they learn about the infamous Cirque Berserk. Seeking one last adventure, they and their friends journey to the nearby Shadows Creek to see if the urban legends about Cirque Berserk are true. But waiting for them beyond the carnival gates is a night of brutality, bloodshed, and betrayal.
Will they make they make it out alive, or will the carnival’s past demons extinguish their futures?
Book 4 in the Rewind-or-Die series: imagine your local movie rental store back in the ’70s, ’80s, and ’90s, remember all those fantastic covers. Remember taking those movies home and watching in awe as the stories unfolded in nasty rainbows of gore, remember the atmosphere and textures. Remember the blood.
Root Magic by Eden Royce
Synopsis:
A historical ghost story set in South Carolina in the 1960s—a tale of courage, friendship, and Black Girl Magic.
It’s 1963, and things are changing for Jezebel Turner. Her beloved grandmother has just passed away. The local police deputy won’t stop harassing her family. With school integration arriving in South Carolina, Jez and her twin brother, Jay, are about to begin the school year with a bunch of new kids. But the biggest change comes when Jez and Jay turn eleven—and their uncle, Doc, tells them he’s going train them in rootwork.
Jez and Jay have always been fascinated by the African American folk magic that has been the legacy of her family for generations—especially the curious potions and powders Doc and Gran would make for the people on their island. But Jez soon finds out that her family’s true power goes far beyond small charms and elixirs…and not a moment too soon. Because when evil both natural and supernatural comes to show itself in town, it’s going to take every bit of the magic she has inside her to see her through.
The Good House by Tananarive Due
Synopsis: Working to rebuild her law practice after her son commits suicide, Angela Toussaint journeys to the family home where the suicide took place, hoping for answers, and discovers an invisible, evil force that is driving locals to acts of violence.
Let’s Play White by Chesya Burke
Synopsis: White brings with it dreams of respect, of wealth, of simply being treated as a human being. It’s the one thing Walter will never be. But what if he could play white, the way so many others seem to do? Would it bring him privilege or simply deny the pain? The title story in this collection asks those questions, and then moves on to challenge notions of race, privilege, personal choice, and even life and death with equal vigor. From the spectrum spanning despair and hope in “What She Saw When They Flew Away” to the stark weave of personal struggles in “Chocolate Park,” Let’s Play White speaks with the voices of the overlooked and unheard. “I Make People Do Bad Things” shines a metaphysical light on Harlem’s most notorious historical madame, and then, with a deft twist into melancholic humor, “Cue: Change” brings a zombie-esque apocalypse, possibly for the betterment of all mankind.
Fledgling by Octavia E. Butler
Synopsis: Fledgling, Octavia Butler’s new novel after a seven year break, is the story of an apparently young, amnesiac girl whose alarmingly inhuman needs and abilities lead her to a startling conclusion: She is in fact a genetically modified, 53-year-old vampire. Forced to discover what she can about her stolen former life, she must at the same time learn who wanted – and still wants – to destroy her and those she cares for and how she can save herself. Fledgling is a captivating novel that tests the limits of “otherness” and questions what it means to be truly human.
How to Recognize a Demon Has Become Your Friend by Linda Addison
Synopsis: Who doesn’t need to know How To Recognize A Demon Has Become Your Friend? From the first African-American to receive the HWA Bram Stoker award, this collection of both horror and science fiction short stories and poetry reveals demons in the most likely people (like a jealous ghost across the street) or in unlikely places (like the dimension-shifting dreams of an American Indian). Recognition is the first step, what you do with your friends/demons after that is up to you.
My Sister, the Serial Killer by Oyinkan Braithwaite
Synopsis: My Sister, the Serial Killer is a blackly comic novel about how blood is thicker – and more difficult to get out of the carpet – than water…
When Korede’s dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what’s expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This’ll be the third boyfriend Ayoola’s dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede’s long been in love with him, and isn’t prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other…
White Is for Witching by Helen Oyeyemi
Synopsis: In a vast, mysterious house on the cliffs near Dover, the Silver family is reeling from the hole punched into its heart. Lily is gone and her twins, Miranda and Eliot, and her husband, the gentle Luc, mourn her absence with unspoken intensity. All is not well with the house, either, which creaks and grumbles and malignly confuses visitors in its mazy rooms, forcing winter apples in the garden when the branches should be bare. Generations of women inhabit its walls. And Miranda, with her new appetite for chalk and her keen sense for spirits, is more attuned to them than she is to her brother and father. She is leaving them slowly –
Slipping away from them –
And when one dark night she vanishes entirely, the survivors are left to tell her story.
“Miri I conjure you.”
This is a spine-tingling tale that has Gothic roots but an utterly modern sensibility. Told by a quartet of crystalline voices, it is electrifying in its expression of myth and memory, loss and magic, fear and love.
Over the course of this month, we’ll be highlighting Black voices in the horror & horror-adjacent genres, and we’re very much looking forward to sharing a whole bunch of great books with you! Remember to tag us if you post about any of these or our readalongs/readathons on social media – we love to see the community joining together for these things.
Cassie is one of our core team members, and maintains our site interviews with authors and creating monthly themed content.
Find her online at her blog www.letsgetgalactic.com, Twitter as @ctrlaltcassie, or over at her Etsy store, where she sells clothing, coloring & activity books, bookmarks, art prints, DIY craft kits, & more!
Find her online at her blog www.letsgetgalactic.com, Twitter as @ctrlaltcassie, or over at her Etsy store, where she sells clothing, coloring & activity books, bookmarks, art prints, DIY craft kits, & more!
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